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An Evaluation Rubric

Score four dimensions separately; a total hides the one that failed

1 min read0 characters条目Evaluation and DeliveryUpdated 2026-10-31

evaluationrubriceditabilityrights

Four threes, and still unusable

Score all four dimensions at three and the total is twelve, which looks tidy. A three for usability means it needs work; a three for editability means the client cannot change it; a three for consistency means the next run will not reproduce it; a three for rights means documents are missing. The total averages four problems into one number, and a single one should veto the version.

The scoring table

Dimension135What to inspect
UsabilityForm is loose, unusable as isUsable after trimmingReady for postSections, intonation, artefacts
EditabilityStereo onlyStems, but no MIDI or dry vocalStems, MIDI and dry vocal completeStem count and start points
ConsistencySame prompt, very different resultsBroadly stable, occasional driftReproducible from the same seedSeed, version, parameters
RightsSource unclear, documents missingMostly complete, open questions remainSources and licence files completeTool terms, samples, voice consent

How to keep scores from drifting

Listen blind. Have two raters score independently, then discuss the gaps. Require one sentence of justification per score, tied to a position: "the bass and kick collide in the second chorus". Weight by use: client delivery leans on usability and editability, a library leans on consistency and rights. Keep past scores and re-score a revision without overwriting the earlier record. The numbers are not a ranking; they tell the next revision where to land.

What the rubric should not judge

Novelty, artist fit, audience taste and commercial success are outside these four dimensions. The rights score measures whether files and permissions are complete, not a legal opinion; documents can exist and still leave a scope question that needs separate clearance. The rubric is a sieve that stops versions which clearly cannot be used. What passes still needs a person to listen and decide. Four passing scores mean it earns another round, not that it should be released.

Listen in the library

Piano Sonata in C Major, Hob.XVI: 48: 2. Rondo (Presto)C13:45海顿 C 大调奏鸣曲回旋曲,主题每次回来都可对照“可用性”的形式分(C1)Details15 Three-part Inventions, BWV 787/801: No. 10 in G, BWV 796C11:10巴赫三声部创意曲,三个声部各自成立,是可改性判断的底线(C1)DetailsNocturne No. 12 in G major, Op. 37 No. 2C15:35肖邦夜曲 Op.37 No.2,自由速度与触键是“一致性”最难量化的部分(C1)DetailsSymphony5 1C15:16贝多芬第五的齐奏密度,提醒音色与混音会互相掩护(C1)Details

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Along the same line

Sources

  • ITU-R BS.1116 与 BS.1534(MUSHRA)关于主观听测与评分量表的设计方法。
  • 音频质量与可用性评估的行业实践,来自公开制作与评测资料。
  • 生成内容权利尽调清单,来自行业组织与平台公开文件。